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Transcript

The full narration of this video. The current sentence is highlighted while the video plays; click any sentence to jump there.

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Introduction

In this episode, we match the colors of two beach clips recorded with different cameras using Color Wheels and Comparison View. Let's get started. Hello, welcome back to the complete Adobe Premiere Pro series from Cerdas Inovasi Digital. Footage from different cameras or times rarely has the same color. To make the video feel cohesive, the colors between clips should be matched. Color Wheels and Comparison View are its main tools. The Miami beach clip at the beginning feels warm and bright, while the following wave beach clip appears more blue and pale.

Step 1: The Problem

When played sequentially, this difference feels awkward.

Step 2: Comparison View

Place the playhead on the second clip, then open the Color Wheels and Me section and click Comparison View. The program monitor is split into two, left side is the reference frame from the first clip, right side is the frame of the clip being corrected. Three color wheels adjust shadows, mid-tones, and highlights separately.

Step 3: Color Wheels

The center dot of the highlight wheel slightly shifts towards orangey yellow, making the second clip's highlight warmer like the reference.

Step 4: Midtones

The mid-tone color wheel is slightly leaning towards orange, and the shadow color wheel is slightly leaning towards deep blue to keep the shadows consistent. Compare directly with the left side until both feel similar.

Step 5: Brightness and Saturation

The second clip is also a bit darker and paler. In Basic Correction, increase Exposure slightly and set Saturation to 115. Check the waveform to make sure both clips have similar brightness levels.

Step 6: Turn Off Comparison View

Click Comparison View again to return to the normal view, then rotate the two clips sequentially. The transition is now smooth as if recorded with the same camera and timeline.

Done!

Done. We've already identified color differences between clips, opened the Comparison View, used the highlight, mid-tone, and shadow wheels, adjusted exposure and saturation, and rotated the result to achieve consistent colors. In the next episode, we will adjust one color using the HSL Secondary. Need product advertisement videos, business profile videos, reels and TikTok content, or subtitles for YouTube videos? Cerdas Inovasi Digital provides video editing and color grading services, as well as offers Premiere Pro courses from beginner to advanced levels. Want to master the entire series, 105 episodes from the interface to the final project? All episodes, complete with step-by-step PDF guides, source footage, and project files, are available to premium tutorial subscribers. Subscribe starting at Rp69.000 per month, save 28% with the 12-month package, or pay once Rp999.000 for lifetime access. Want just one class? Buy individual classes with lifetime access. Subscribe now at the premium page cerdasinovasidigital.com Contact our WhatsApp or visit cerdasinovasidigital.com Thank you for watching, see you in the next episode. Thank you for watching, see you in the next episode.

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Cerdas Inovasi Digital Team

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53 video classes1,286 episodes

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Transcript

The full narration of this video. The current sentence is highlighted while the video plays; click any sentence to jump there.

Show transcript

Introduction

Step 1: The Problem

When played sequentially, this difference feels awkward.

Step 2: Comparison View

Step 3: Color Wheels

The center dot of the highlight wheel slightly shifts towards orangey yellow, making the second clip's highlight warmer like the reference.

Step 4: Midtones

Step 5: Brightness and Saturation

The second clip is also a bit darker and paler. In Basic Correction, increase Exposure slightly and set Saturation to 115. Check the waveform to make sure both clips have similar brightness levels.

Step 6: Turn Off Comparison View

Click Comparison View again to return to the normal view, then rotate the two clips sequentially. The transition is now smooth as if recorded with the same camera and timeline.

Done!

Your instructor

Cerdas Inovasi Digital Team

Software developers, BIM & 3D engineers, and AI practitioners

53 video classes1,286 episodes

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Transcript

0:03Introduction

0:41Step 1: The Problem

0:48Step 2: Comparison View

1:10Step 3: Color Wheels

1:21Step 4: Midtones

1:36Step 5: Brightness and Saturation

1:50Step 6: Turn Off Comparison View

2:04Done!

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My notes

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Transcript

0:03Introduction

0:41Step 1: The Problem

0:48Step 2: Comparison View

1:10Step 3: Color Wheels

1:21Step 4: Midtones

1:36Step 5: Brightness and Saturation

1:50Step 6: Turn Off Comparison View

2:04Done!

Ask the class material

My notes

Questions & answers

Your instructor

Introduction

Step 1: The Problem

Step 2: Comparison View

Step 3: Color Wheels

Step 4: Midtones

Step 5: Brightness and Saturation

Step 6: Turn Off Comparison View

Done!

Introduction

Step 1: The Problem

Step 2: Comparison View

Step 3: Color Wheels

Step 4: Midtones

Step 5: Brightness and Saturation

Step 6: Turn Off Comparison View

Done!